Get a full month of MUBI FOR FREE: https://mubi.com/thetake (With the support of Creative Europe – MEDIA Programme of the European Union)
Lesbian period pieces seem to be everywhere these days. Since the release of 2015’s beloved Carol, there have been at least 15 other lesbian period films and several television shows; including The Handmaiden (2016), Colette (2018), Portrait of a Lady on Fire (2019), and Summerland (2020). Many of these films are appealing to viewers because they’re shot with an arthouse aesthetic, and offer a sense of empowerment to queer audiences who are not often represented on-screen. Yet Lesbian period pieces frequently cast straight, white actresses and often end tragically to fit the formulaic queer film narrative. Here’s our take on exactly why there are so many lesbian period pieces, and why it’s important not to get too stuck on any formula.
Support The Take:
Shop our Limited Edition Merch: https://www.the-take.com/shop
Support our channel and look great doing it with Take t-shirts, hoodies, and more!
If you like this video, subscribe to our channel and support us by:
Joining our Patreon: https://www.patreon.com/thetake vote on the topic we cover next, gain early access to videos and much more!
Follow The Take:
Facebook: http://www.facebook.com/ThisIsTheTake
Instagram: http://instagram.com/ThisIsTheTake
Snap: https://www.snapchat.com/discover/The_Take/6898188394
Twitter: http://twitter.com/ThisIsTheTake
Website: https://the-take.com/
We are The Take (formerly ScreenPrism).